On Identity, slow-living, and the power of not apologizing
I like to think of my identity as a house. Different rooms in said house represents different aspects of my identity. Some rooms are small – other big, some are practically libraries, or warm kitchens full of memories. And some rooms are locked, as we’re still not sure how to enter them. Regardless of their size, and whether we are aware of them or not, each room represents parts of ourselves.
The problem arises however, when the rest of the world barges in, points at the first hallway they can find – and claims that «this is you, this is all that you are!»
For me, in recent times that hallway has most often been named «disabled».
They see the seizures, the paperwork, the pacing. They see my body moving differently or my voice halting from aphasia and assume that this single narrow corridor is the entire structure of who I am. But here’s what they don’t know:
That hallway leads to a whole damn palace.
Yes, I am partially disabled. I’m queer. I’m a woman. But use any stereotypical elements to describe me based on these categories, and you will be completely wrong. OK, not completely – as I do have a love for septum-piercings and I do have big hips. But that’s about It.
«Do I contradict myself?
Very well then I contradict myself,
(I am large, I contain multitudes.)»
– Walt Whitman
So who gets to name your house?
Your Identity is not a one-room apartment. It’s a wild construction project of life experience, desire, emotion, history and sometimes even trauma. But the world doesn’t like mess or multiplicity. It wants easy-peacy simple signs; «woman», «disabled», «burdensome», «Inspirational».
I am a women of intellect and instinct. Highly ambitious but with a slow-living agenda. I’ve had a feminist, political rage in one hand and a childlike wonder in the other. I carry the knowledge of centuries of cultural memory, dreams for the future, and griefs I haven’t yet named. I am both very kind, and very stoic; higly neurotic – but also very practical. At this day and age, most of my doors are open, and I will not allow myself to be reduced.
Because too many of us, whether we’re disabled, queer, neurodiverse etc – we learn to play small. To shrink ourselves to the stereotypes that does not match us, just so that other people can place us in boxes we’re way too big for. We decorate the hallways of the house that is ‘us’, but never dare to open the door to the art studio, the debate chamber or the garden; rooms where our joy lives without supervision.
«I will not have my life narrowed down.
I will not bow down to somebody else’s whim, or to somebody else’s ignorance.»
– bell hooks
Personally, I believe we have no other choice than to open these doors. To fully accept and reclaim every inch of the internal home we’ve built, even the parts that seem broken, and in need of repair.
It might take a while, but with the right mending, it will be repaired!
Now I know, the world runs fast – and I don’t. That’s not a flaw.
Whether I like it or not, being disabled, while not my entire identity, does influence parts of it. Amongst other things, my pace is often slower. I get easily interrupted or paused – not because I lack drive, or lack the ability to multitast – but because my brain will litterally stop me from doing anything (including stop me from breathing) if my body feels too stressed, too exhausted or too tired.
This used to make me feel bad and broken. Used to make me feel lazy and lost.
But then I realized: everything sacred in nature moves slowly. Seasons don’t rush. Trees and flowers doon’t bloom on demand. Grief, love, healing – all of it takes time. Why should my life be any different?
«Adopt the pace of nature: her secret is patience».
-Ralp Waldo Emerson
Slowness and slow-living taught me to think even deeper. To notice what other’s speed past. In turn, it is rare that I watch a movie or a new TV-show without constantly guessing right about what’s to come (White Lotus, anyone?). Or meeting a new person and just understanding who and how they are within the first 30 minutes.
Not because this is particularly special in any way, but because allowing yourself to work, think, see and act slowly – also (quite often) leads to more detail-oriented steps ahead.
It has certainly helped me to build ideas brick by brick instead of by burnout.
And by showing me that being slow doesn’t mean being less – it just means being highly intentional.
And if the world in their ‘one hallway view’ calls that weakness or laziness, I call it a revolution.
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Because, I do not apologize for being fully myself!
I’ve opened all the doors, and I let them stay open.
Because, being wholly yourself is not a performance, it’s a right.
I have known white – hot rage as a child, watching how I was treated in school. I’ve felt heartbroken over things I may never experience, and fear over what epilepsy and aphasia means for my future. I’ve also felt fire and brilliance move through me like a thunderstorm, and extreme joy over fun, life-altering experiences.
And none of it cancels anything else. Each room belong in the same house.

We are not meant to live inside the hallway. We are meant to inhabit our homes fully; to bloom in all the rooms built for us. Without apologies, without shrinking ourselves intoo palatable versions to make other’s comfortable – but with the soul-deep knowledge that this body, this mind, this identity is ours.
An no one else gets the final word on what that means.
So take up space, and let them misunderstand. Speak without softening your syllables, and let them question. Let them knock on doors they’ll never be invited through, and live like your voice is proof that you belong here –
Because it is. Because you do.
Lastly, a task for you, reader:
Take a moment today to explore the house of yourself.
1. What rooms have you been hiding?
2. Who told you they weren’t worth showing?
3. Where have you rushed when slowness would have healed?
4. What would it mean to live your multitudes without apology?
Write a list. Make a drawing. Take a photo. Share it or don’t. Just begin.
And if you ever feel someone trying to reduce you to a single hallway, smile, and say: “You haven’t even seen the rooftop.”
– Silje
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Want to go deeper? Try these books:
“Sick Woman Theory” by Johanna Hedva – an essay and framework about invisible illness, resistance, and political care.
“How to Do Nothing: Resisting the Attention Economy” by Jenny Odell –
a lyrical call to reclaim slowness, attention, and meaning in a world obsessed with urgency.
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