Maps of happiness; on the hidden geographies of life

«Happiness is not a state to arrive at , but a manner of travelling.»
– Margaret Lee Runbeck

Happiness is not a straight road. Instead, it is a shifting geography, full of valleys, ridges and winding paths. Some lives are built like well-paved highways, others like dirt trails that must be cleared step by step. And some of us, perhaps, live on maps that were never fully drawn, forced to chart new routes as we go.
Because, whether it’s obvious to people or not, every life is like a landscape;
A house has its walls, a body its bones.
But what about a ‘soul’?
It might sound like religious mumbo-jumbo, but I personally don’t see it that way. Instead I simply see a human soul as a type of energy that may move from one physical person to the next – yet the actual energy in question stays the same.
Within such an idea, human souls have maps of their own, with rivers of memories and mountains of effort, valleys of grief, or plateus of joy.
These maps are then charted and re-charted throughout our life.

It is during these times that the highways most often travelled are quite often mistaken as the only routes worth knowing. But this is quite unfortionate.

As a disabled person, I often feel this truth in my bones. My body does not move easily along the «main roads» society lays out. While others may follow smooth highways, such as ‘ wake up early, work harsh, go to the gym, parent kids, cook, clean, relax and go to sleep early’ my own body can not keep up with this for very long. I sometimes face steep climbs, uneven ground or dead-ends; I mean, If it weren’t for coffee, I would not be able to stay awake for more than a few hours at a time, and on ‘work days’ I have no energy to work-out, and on ‘working-out days’ I need to seriously cut down the amount of daily chores, to be able to wake up the next day. And despite planning all of this beforehand, days can still crumble at my feet due to my daily seizures.

The Blind Spot: Disability as Geography
Writers and dreamers have always tried to draw the inner world of mankind. Carl jung spoke of archetypal terrains; poets of rivers and deserts within us. Early cartographers feared the unknown, and filled the edges of their charts with monsters and sea-dragons. Silence is scary. Slowness seen as failure. Pauses are treated like death.But slowness is not the same as absence. Stillness is not void. It’s a terrotory of it’s own, demanding a different kind of navigation.

«The queter you become, the more you are able to hear».
– Maria Rilke

Furthermore, every map – like every life has it’s own blank spots; whether dismissed corners, uncharted spaces or unexplored areas. But what if these empty spaces weren’t voids from a soulful energy – but equally as powerful, instead?
– all potential roads to further happiness.

This is where disability enters the map. Society says: you’re stuck, you’re left behind. You’re too slow, too fragile, too dependent. But here’s the truth: in enforced stillness, whole new geographies open. There are rivers of intimacy – conversation that go deepeer because they have time to. Valleys of observation – details noticed because they cannot be rushed past.
Fortresses of resilience – strength born not from running around faster, but from enduring longer.

Society builds highways and calls them progress. But what if the footpath, the garden trail, the detour intoo slowness held more truth than the asphalt? What if the lives that refuse to be measured by speed are the ones that actually reveal the shape of being alive?
Mary Oliver put it simply;

«To pay attention to, this is our endless and proper work.»

Attention is not a byproduct of speed. It is instead the reward for stillness.

Photo by Marco J Haenssgen on Unsplash
Image by: Marco J. Haenssgen @Unsplash

The Cartography of Self
Interestingly enough, all these detours in the ‘landscape of life’ are neither empty nor pointless. Instead, they carry their own cartography, and what others see as obstacles, I see as landmarks of resilience. What others call delay becomes time to notice hidden beauty; the shade or muscle of a tree, the echo of children’s laughter, or the texture of nice woolen clothing.

For those of us whose bodies carry limits or pain, the map looks different. What others mark as shortcuts, may for us be an impassable cliff. What other’s may see as a detour may be our main road.

Because. in these hidden geographies, happiness and joy takes root differently – in small landmarks, in resting places, and in the secret gardens we discover along the way.
This is not only about disability. All of us live by maps that shift. Grief redraws the borders. Love reroutes our compass. Even rest – as the simple act of pausing, can reveal a different landscape than what we thought we were walking.

The question then, is not where happiness is, but rather how we draw it. Perhaps happiness is never found in one destination. Perhaps it lies instead in the hidden maps we keep redrawing – the quiet coordinates of laughter with a friend, the unexplected alley of rest, or the compass of our values pointing us home to ourselves, again and again.
These are the geographies that shape a life worth inhabiting.

Because, we are meant to inhabit our homes fully, whether those homes are houses, bodies or landscapes of the soul. They are waiting for us to enter, to map them – and make them our own.

Rebecca Solnit once wrote that:

«walking is how the body measures itself against the earth»

– but I think the same could be said about living. Each scar, each memory, each day spent resting or striving or breaking or bonding, becomes a line drawn across the map of who we are. The mistake we make as human beings is believing the map never ends.

Sooner or later, our energy will run out. And when it does, I hope I will be able to look back at a landscape filled with immense experience. This is because, for me – I have always wanted to be able to experience most of what life has to offer.

– Silje

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A task for you, reader:

This week, sketch your own map of happiness. It doesn’t have to be beautiful or even accurate – just draw the roads, rivers, or landmarks that make up the hidden geographies of your life.
– Where are your valleys of rest?
– Where are your steep climbs of ambition?
– Where are the rivers that carry you slowly but surely forward?
– Which mountains have you been forced to climb, and what summits have you reached?
– What hidden gardens have you discovered along the way`?

Notice the blank spaces. They are not empty – they are waiting for you to fill them. And when you do, remember this: the world has always belonged not to those who run the fastest, but to those who dare to chart the unseen.

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Further reading:

📘 Wanderlust: A History of Walking by Rebecca Solnit

📘 The Art of Happiness by Dalai Lama & Howard Cutler

📘 The Geography of Bliss by Eric Weiner

📘 Atlas of the Heart by Brené Brown

The room you thought was a hallway

On Identity, slow-living, and the power of not apologizing

I like to think of my identity as a house. Different rooms in said house represents different aspects of my identity. Some rooms are small – other big, some are practically libraries, or warm kitchens full of memories. And some rooms are locked, as we’re still not sure how to enter them. Regardless of their size, and whether we are aware of them or not, each room represents parts of ourselves.

The problem arises however, when the rest of the world barges in, points at the first hallway they can find – and claims that «this is you, this is all that you are!»
For me, in recent times that hallway has most often been named «disabled».
They see the seizures, the paperwork, the pacing. They see my body moving differently or my voice halting from aphasia and assume that this single narrow corridor is the entire structure of who I am. But here’s what they don’t know:

That hallway leads to a whole damn palace.

Yes, I am partially disabled. I’m queer. I’m a woman. But use any stereotypical elements to describe me based on these categories, and you will be completely wrong. OK, not completely – as I do have a love for septum-piercings and I do have big hips. But that’s about It.

«Do I contradict myself?
Very well then I contradict myself,
(I am large, I contain multitudes.)»
– Walt Whitman

So who gets to name your house?
Your Identity is not a one-room apartment. It’s a wild construction project of life experience, desire, emotion, history and sometimes even trauma. But the world doesn’t like mess or multiplicity. It wants easy-peacy simple signs; «woman», «disabled», «burdensome», «Inspirational».

I am a women of intellect and instinct. Highly ambitious but with a slow-living agenda. I’ve had a feminist, political rage in one hand and a childlike wonder in the other. I carry the knowledge of centuries of cultural memory, dreams for the future, and griefs I haven’t yet named. I am both very kind, and very stoic; higly neurotic – but also very practical. At this day and age, most of my doors are open, and I will not allow myself to be reduced.

Because too many of us, whether we’re disabled, queer, neurodiverse etc – we learn to play small. To shrink ourselves to the stereotypes that does not match us, just so that other people can place us in boxes we’re way too big for. We decorate the hallways of the house that is ‘us’, but never dare to open the door to the art studio, the debate chamber or the garden; rooms where our joy lives without supervision.

«I will not have my life narrowed down.
I will not bow down to somebody else’s whim, or to somebody else’s ignorance.»
– bell hooks

Personally, I believe we have no other choice than to open these doors. To fully accept and reclaim every inch of the internal home we’ve built, even the parts that seem broken, and in need of repair.
It might take a while, but with the right mending, it will be repaired!

Now I know, the world runs fast – and I don’t. That’s not a flaw.
Whether I like it or not, being disabled, while not my entire identity, does influence parts of it. Amongst other things, my pace is often slower. I get easily interrupted or paused – not because I lack drive, or lack the ability to multitast – but because my brain will litterally stop me from doing anything (including stop me from breathing) if my body feels too stressed, too exhausted or too tired.
This used to make me feel bad and broken. Used to make me feel lazy and lost.
But then I realized: everything sacred in nature moves slowly. Seasons don’t rush. Trees and flowers doon’t bloom on demand. Grief, love, healing – all of it takes time. Why should my life be any different?

«Adopt the pace of nature: her secret is patience».
-Ralp Waldo Emerson

Slowness and slow-living taught me to think even deeper. To notice what other’s speed past. In turn, it is rare that I watch a movie or a new TV-show without constantly guessing right about what’s to come (White Lotus, anyone?). Or meeting a new person and just understanding who and how they are within the first 30 minutes.
Not because this is particularly special in any way, but because allowing yourself to work, think, see and act slowly – also (quite often) leads to more detail-oriented steps ahead.
It has certainly helped me to build ideas brick by brick instead of by burnout.
And by showing me that being slow doesn’t mean being less – it just means being highly intentional.

And if the world in their ‘one hallway view’ calls that weakness or laziness, I call it a revolution.
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Because, I do not apologize for being fully myself!
I’ve opened all the doors, and I let them stay open.
Because, being wholly yourself is not a performance, it’s a right.
I have known white – hot rage as a child, watching how I was treated in school. I’ve felt heartbroken over things I may never experience, and fear over what epilepsy and aphasia means for my future. I’ve also felt fire and brilliance move through me like a thunderstorm, and extreme joy over fun, life-altering experiences.
And none of it cancels anything else. Each room belong in the same house.

Image by: Fabian Bächli @Unsplash

We are not meant to live inside the hallway. We are meant to inhabit our homes fully; to bloom in all the rooms built for us. Without apologies, without shrinking ourselves intoo palatable versions to make other’s comfortable – but with the soul-deep knowledge that this body, this mind, this identity is ours.
An no one else gets the final word on what that means.

So take up space, and let them misunderstand. Speak without softening your syllables, and let them question. Let them knock on doors they’ll never be invited through, and live like your voice is proof that you belong here –
Because it is. Because you do.

Lastly, a task for you, reader:

Take a moment today to explore the house of yourself.

1. What rooms have you been hiding?
2. Who told you they weren’t worth showing?
3. Where have you rushed when slowness would have healed?
4. What would it mean to live your multitudes without apology?

Write a list. Make a drawing. Take a photo. Share it or don’t. Just begin.
And if you ever feel someone trying to reduce you to a single hallway, smile, and say: “You haven’t even seen the rooftop.”

– Silje
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Want to go deeper? Try these books:

📘 “Sick Woman Theory” by Johanna Hedva – an essay and framework about invisible illness, resistance, and political care.

📘 “How to Do Nothing: Resisting the Attention Economy” by Jenny Odell –
a lyrical call to reclaim slowness, attention, and meaning in a world obsessed with urgency.
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